Fine Art / Still Life

In my fine art still lifes, I explore what remains when movement disappears. Flowers, vessels, paper, glass, fabric — not as subjects in themselves, but as carriers of time, fragility and attention. The work lives in the tension between what still holds and what is already letting go.

I build each image through restraint: careful light, deliberate composition, and space for silence. Nothing needs to happen — meaning arises precisely from that stillness. These photographs are not documentation, but slowed encounters with reality.

While black and white is an important foundation in my work, fine art is not limited to a single visual language. Some images ask for reduction; others ask for presence.

I work in black and white when form, light and silence are sufficient to hold the image. I use colour when the photograph needs a trace of life, vulnerability, or impermanence that cannot be abstracted without losing honesty. Colour remains muted and earthy — never decorative, always purposeful.

• Flowers — fragility, weight, and the moment a stem begins to bend. View the series
• Objects — materiality, edges, surfaces, and the quiet tension between form and absence. View the series
• Studies in light — experiments in reduction: how light alone can shape presence. View the series

Interested in prints, exhibitions, or collaboration? Get in touch.

For the broader context of my approach, see Fine Art Portrait Photography.